I think part of being a parent is trying to kill your kids.
The evil of storytelling is you’re trying to make the audience complicit in murder — Kill the guy! Jump him! And then once you’ve done it, it’s like, I’ve killed this guy, now what? If you do that kind of violence in a show like this, you have to bring the audience along with you and then question their judgement.
Because for you, quitting smoking would be like killing someone you love.
If the glory can be killed, we are lost.
You’ve got to be honest about what it means to lead a country, it means killing people.
If survival calls for the bearing of arms, bear them you must. But the most important part of the challenge is for you to find another means that does not come with the killing of your fellow man.
Keep killing your ideas until they cannot be killed. If you never kill your ideas, you’ll kill your career.
Master Kosta…What a pleasure! Selendri tells me you’ve expressed an interest in getting killed.
It sends out a very clear message: "Mess with us and we'll do something worse than kill you. We'll kill your children.
To kill for convenience . . . or for the sake of killing involves rather dire consequences, and the emotional value behind such killing is often as important as what is killed. That is, the lust [for] killing is also a matter that brings consequences, regardless of the living thing that is killed.